« Dictionary Index « Definitions under C
is the rectifying of such errors in the types as the compositor may have made, and any defects in the workmanship; it also includes making such alterations as the author, on examining the proof sheets, may think necessary.
The German printers have an implement, made of wood, similar to the back and bottom of a composing stick, in which they gather the corrections, and place it with them in it on the form, without risk of injuring the types, leaving their hands free from incumbrance. This appears to be an improvement on our practice, which is, when the corrections are numerous, to gather them in a composing stick, and place it on the face of the form, for convenience of having them close at hand; this should be avoided, and neither metal, nor any other article that is likely to injure the types or an engraving, should ever be laid on the face of the letter.
The French and the Italians employ a pair of tweezers for picking the wrong letters out of the form, by which they avoid injuring the letter with the bodkin; but there is a bodkin attached to the other end, to use when necessary. They say this is superior to our method of taking out the wrong letter with a bodkin, and executed more readily. In fact, with us there is frequent injury done by the inexperienced or careless workman in using the bodkin: the letter is often injured that is drawn out; if the bodkin is not very sharp, it occasionally slips and spoils the face of six or seven adjoining letters; and, by its injudicious use, the next letter, under the blade of the bodkin, is often rendered useless.
The specimen below shows the manner of marking the corrections in a proof. The following is an explanation of the marks therein used, which will enable a gentleman who has to superintend a work through the press to correct the proof sheets in a way that will be clearly understood by the printer, and will tend to promote correctness, by preventing those mistakes that occasionally occur owing to his not comprehending all the marks on the proof.
Where a word is to be changed from small letters to capitals draw three lines under it, and write caps. in the margin.
Where a word has to be changed from Roman to Italic draw a line under it, and write Ital. in the margin; and where a word has to be changed from Italic to Roman, write Rom. opposite.
To change a word from small letters to small capitals, make two lines under the word, and write sm. caps, opposite. To change a word from small capitals to small letters make one line under the word, and write in the margin lo. ca. for lower case.
Where the compositor has left an out, which is too long to be copied in the margin of the proof, make a [[c:caret|caret]] at the place, and write opposite, Out, see Copy.
The specimen when corrected would be as follows.